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MAY 2026 UPDATE

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STU DAVIES

 

NBL Class 22 D6328. I finally decided I couldn't live with Dapol's attempt at Rail Blue so it's had a repaint, re-number and light weathering. I don't usually get too bothered by factory colours but Dapol (and Hornby) managed to get it badly wrong at times. Modellers have their own preferences but for those of a certain age I still think Humbrol's 60s era HR135 is still the best. Occasionally unopened pots still turn up.

 

VVV 12t Van. Based on a photo, a Bachmann 12t van edges into the TOPS era with the addition of a VVV code. A quick and easy update that adds variety. Decals from my carefully horded SMS sheets.

 

A Crompton shunts a Parkside Shocvan in the yard.

 

Here's a mk1 Heljan Crompton that I backdated a long time ago to the early exhaust arrangement. Subsequently I found that that the last few standard Cromptons were built with the revised arrangement. I'll keep half an eye out for a replacement body, but now Accurascale have teken over we will see what happens.

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KIER HARDY

 

A recent comment on the Hornsey Road Motive Power Depot video - One very small thing (from a retired driver), the 'stop' board with the red circle is slightly too modern for a pre TOPS layout. It would have been a simple 'stop and telephone' instruction. I spotted the phone on the wall! A depot of this size would have a sizeable set of shedmen with a dedicated link, usually older drivers off the mainline and secondmen from a lower link answering to a traction arranger / depot foreman. And there is always a Reliant Regal in the carpark! Only thing missing from the walk back is a betting shop and chippy. This anomoly is being addressed with the artwork (inset) having been drawn and ready for printing.

 

Whilst on the subject of depot signage, here's a selection of signs located around the depot and associated tracks, the original artwork designed and drawn by Paul James (retired driver). This is the location of the other depot access from the branch line...

 

... And looking the other way with the branch line ahead, this sign reads - START OF ONE TRAIN WORKING SECTION. DO NOT PROCEED WITHOUT SHUNTERS OR GUARDS PERMISSION.

 

On entry to the light maintenance side of the depot and the stabling sidings, this sign reads - DRIVERS TO STOP DEAD HERE AND SATISFY THEMSELVES THAT THE LINE IS CLEAR BEFORE PROCEEDING.

 

Looking in the opposite direction, this sign shows the exit from the light maintenance side of the depot and stabling sidings.

 

The exit from the fuelling point and route back to the station reads - ENGINES DEPARTING SHED MUST NOT PASS THIS BOARD WITHOUT THE AUTHORITY OF THE SIGNALMAN OR UNTIL THE OUTLET SIGNAL IS CLEARED.

 

On the approach to the depot building - ENGINES MUST NOT PASS THIS BOARD UNLESS SHED DOORS ARE OPENED.

 

Further progress on the new East London layout in the form of background buildings. Jonny Duffett has designed and printed these latest 3D structures. His design for a single storey 19th Century building derived from a photograph of it in Deptford. I've adapted it into a double storey version using the unwanted rear section grafted underneath. Also a pair of semi-detached houses are on the workbench awaiting attention. These designs are available as a free download from Thingiverse.

 

The B&W building is seen planted here, awaiting some signage and finishing.

 

The semi-detached building facades have been painted, glazed and fitted with curtains. A day was spent making chinmey stacks (with Jonny's 3D printed pots) which have been fitted to the roof of one building, and in stock for the other. The sides will represent a rendered finish, as they're close to each other and saves adding brickwork which wouldn't be seen anyway.

 

Another side project has been some figure painting using acrylic paint pens from Magi and others by Artecho. Their use is slightly limited, but the bolder colours save a lot of brush painting. The figures are a mix of 3D printed, proprietry plastic and whitemetal from a variety of sources.

 

The paving slabs have been treated to different shades of brown and grey, and once given a light wash will show a subtle variety of colour. The wedding party are seen having their reception at the Tate Institute during a photograph session outside. For now, a Jaguar car has been borrowed from the car lot until something else comes along, facing away to hide the price stickers in the windscreen.

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KARL CROWTHER

 

With the viaduct installed, work has now progressed onto the adjoining hillside. Fundamental to this has been the decision to form the curved backscene from 0.8mm Aluminium sheet, an idea I got from Paul Bambrick. I have to say this has worked even better than expected. I got mine from Metals4u, where you can specify any required size. Before priming it first needs to be roughed with something like 150 grit sandpaper and then curved to something like the required shape. Painting done with a mini-roller, first priming with a metal primer, then a top coat comprising, first a base of while emulsion, followed by the sky colour. I’m so impressed with the results, all the remaining backscenes will be done this way, and it doesn’t work out that much more expensive than wood. With the backscene in position, the outline of the hillside was made using packing box card profile pieces with cereal box card strips hot glued on top. I felt this would be a lot less messy than using expanded polystyrene foam.

 

All the card now fixed, ready to start the ground surface. Backscene removed to stop it from getting messed up. You can see the paper towels it’s going to initially get covered with.

 

As with the earlier work, the first layer of paper towel was glued down with a generous coating of neat PVA (Febond) brushed on. Looks a real mess at this point – very ‘lumpy’.

 

With the first layer dried, a second layer of brown paper has been added in similar fashion, which makes it look a lot smoother. The different type of paper was to ensure everything got a second covering. However, still quite obvious undulations are present and the plan is to coat with a thin layer of papier mâché pulp – so will hopefully eport next month on results of this….

 

At a recent operating session, a Class 101 DMU arrives at Kendal 08.25 with working 2L86 the 07.44 Carnforth-Kendal Castle. This will then form 1N53 the 09.00 to Leeds City North.

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TIM SHACKLETON

 

Like everyone else, I’m massively impressed by what I see these days from the likes of Cavalex and Sutton Locomotive Works but, whether the doting fanboys of RMWeb realise it or not, there’s long been a level of RTR that goes beyond this! More than a decade before we became used to buying beautifully detailed, big-ticket diesels in stylish designer boxes, a small online operation in the North of England had done exactly this in a bid to push the boundaries of finescale diesel modelling further than they’d ever been pushed before.

 

The driving force behind FIA Trains was a Lancashire businessman called Marc Knowle. He had an impressive home layout in OO and more significantly already ran a company importing and distributing high-end toys. Sensing there was both a profit and a point to be made, around 20 years ago he had the idea of expanding into trains, specifically to bring to the UK market the kind of quality the US had long enjoyed with its expensive Korean brass imports. Through intermediaries he contacted Ajin Precision – the leading Korean manufacturer and the go-to supplier for brands like Overland Models – and arranged for them to produce different batches of the LMS ‘twins’ 10000/1 to a quality (and a price) hitherto unknown over here. The results were breathtaking. There was nothing by way of electronics, sound, DCC or even onboard lights but back in 2007 these beautifully engineered models still retailed for a hefty £479.99 – the equivalent of around £750 today. Just 402 models were produced of each ‘Twin’, with multiple livery options.

 

I became involved in the project at the stage when deliveries were starting and Marc wanted me to review the models for MRJ – he’d sent me this pair of pilot models to play with. Then it all happened very fast - various friends from the Retford group were early purchasers and while massively impressed they'd found problems, as had other customers. I think it was only the early batches that were affected, but the returns started coming back. With unsaleable locos cluttering up the warehouse and more due in from Korea a note of panic began to sound. Ajin sat on their hands so we offered to help the guy find a solution – Marc was a good bloke and a sound businessman but he was neither an engineer nor much of a hands-on craft modeller.

 

The detailing of the FIA twins was great, the accuracy exceptional, the finish remarkable. The main problem was that, as supplied, they wouldn't go round curves tighter than about 3ft radius – forced tight against the railhead, the leading wheelset would pop up and drop off the track. The bogie wheelbase of the real thing was particularly long, just four inches short of 16ft and only a couple of inches more than the Alco PA that had the biggest wheelbase of any American diesel – Ajin had been successfully manufacturing models of these units for years, and 10000/1 used many of the same drive-train components. The problem was that the Alco was HO scale but the LMS diesel, in 4mm, had a bogie wheelbase almost half an inch longer and consequently it got stuck on curves.

 

The back-to-backs were fine, the locos ran beautifully on straight and gently curved track but it didn’t help that while the axle boxes were sprung, as Korean brass locomotives generally are, there was little or no sideplay because each bogie had six-wheel rigid drive, with gearboxes linked by a common drive shaft – an A1A-A1A arrangement might have been better. Eventually I think it was Pete Hill who, while converting his 10001 to EM Gauge, realised the standard Ajin wheels were fine on an HO scale loco on HO track but when transposed on to a 4mm loco with such a huge wheelbase they rode up over the outer rail on curves. He swapped the Ajin wheels for Alan Gibson ‘Deltic’ wheels and all was fine. The full story is in Pete’s MRJ article in issue 182.

 

A free exchange scheme was quickly arranged and the spec was changed for later batches. However by then the damage had been done and FIA's reputation was shot. I'd been having serious discussions with Marc Knowle about future developments - a Western would have been next on the agenda, probably to be followed by a Deltic, but neither got very far before he pulled the plug and went back to toy cars and games. That was great shame, because in my view nothing looks more like thin sheet metal than thin sheet metal and the FIA trains ‘Twins’ captured this quality to perfection.

 

In recent years I've collected quite a few brass US-outline models, many of them built like the twins by Ajin Precision on behalf of its main US client, Overland Models (OMI). Even with models from the 1980s the quality of build, detail and operation is exceptional and while custom brass isn't the force it once was, the standard now coming from Division Point and other new kids on the block is stratospheric, as is the price. There are European manufacturers such as Micro-Metakit working to similar protocols but the idea has never really caught on in the UK, probably because while our skills at building our own models from scratch or from kits are (or were) very much higher than anyone else’s, we simply lack the kind of incomes necessary to join the custom-brass club! Nevertheless I’d like to think that the FIA Trains ‘Twins’ – and the UK finescale movement in general – helped show conservative British manufacturers just what could (and should) be done. Decades later, we’re finally reaping the rewards . . .

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GREG BROOKES

 

New into the fleet are a pair of Class 20s, 8062 and 8042, D16 Nottingham Division allocated.

 

Both Bachmann models are fitted with Legomanbiffo sound decoders.

 

Long term resident D337 has also recently been fitted with a Legomanbiffo sound decoder, captured here on test at Hornsey Broadway.

 

Another locomotive which has been in the fleet for a number of years has been upgraded and improved sand boxes fitted. Now fitted with a Jamie Goodman sound decoder.

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MIKE WHITCHURCH

 

Here's another selection of my early photographs, starting off with D1019 Western Challenger at Old Oak Common on the 4th of October 1969.

 

D1004 Western Crusader about to enter Parsons Tunnel on the 7th of June 1970.

 

A glimpse of 1913 at Torquay in June 1970.

 

836 Powerful at Newton Abbot on the 8th of June 1970.

 

845 Sprightly and D1001 Western Pathfinder at Newton Abbot on the 10th of June 1970.

 

Brush type 4 number 1546 at Sheffield Midland on a Summer Saturday.

 

Work continues on the Motorail corner of the layout, a wooden structure being built to hide the track below and provide some real estate for the terminal itself.

 

The basic framework and support system completed.

 

Covered in black card to give a better grip for the following road and ground surfaces. For speed, although maybe not quality, I am using a selection of Metcalfe and Scale Model Scenery textures.

 

A picture of the real thing, although considerably altered from my era, to give a flavour of where I'm trying to go with it all.

 

For the Motorail office building a Northumbrian Painting Services mess hut picked up at York exhibition has been used.

 

The completed structure awaiting dressing up. I have made it as a stand alone unit to make access easier. Showing my method of wall construction, all built with various sizes of timber cut to size on the mini table saw.

 

The reception building in place with SMS fencing protecting pedestrians.

 

Dropped into position on the layout, with a backscene in place for ideas as a possibility.

 

With a few cars in position to give an idea of the operation. Cars enter and park up, then register in reception and drive down the slope to the platform to load onto the wagons. I've tried to recreate the ad-hoc conversion of the area with varying wall and floor finishes. Further details and weathering will be applied to attempt to bring it together. The flat area adjacent to the ramp will become some form of BR maintenance yard, and I have a couple of conflat containers in mind with maybe workbenches or similar. The black area approaching the gates will have some sort of low relief buildings with a left turn road junction by the yard wall.

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Please click on the above image to view the latest videos, featuring April running session clips, and a tour of Hornsey Road Motive Power Depot.

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